Let Him Speak

I referenced this 2013 blog post the other day on Twitter so the discussion is ongoing. Rather than simply cut and paste the original, I decided to update it. Things change, attitudes certainly do. Mine has.

In my original post, my tastes were decidedly against first-person point-of-view. Looking back, I didn't give it a fair shake. Since then, I've come to enjoy many books and series' written in first-person. A lot of genres are particularly suited to first-person. But I stand by my original assertion that when an intimate relationship is the central theme of the plot, first-person creates a he said/she said imbalance that's both incomplete and unfair to the silenced character.

All we can really know of the love interest is what they express or divulge to the main character. From that, we get the MC's limited, and often flawed interpretation of the other person's words and motivations. It will never be complete or entirely honest. 

In first-person POV romance, the love interest is only as deep as any other secondary character in the story. He lacks a voice. Crop his head off the cover and he doesn't even need a face. He's little more than a prop for the heroine.

Without an intimate peek into his head, all we have are his interactions with the heroine to give him substance. He's as deep as the cat winding around her ankles. Sure, we know at a glance the cat is happy to see her, certainly responds to her strokes with a deep, satisfied purr, but is that really enough for her love interest? I don't think so.

I want to know what he thinks, fears, hopes for, and dreads. What does he withhold and why? What is he dying to share? What does he wrestle with? In a book supposedly focused on a developing relationship between two, his perspective isn't just valid, it's vital. He deserves a voice. Without it, the story may be good, but it feels out of balance. Again, I want to state that I have and do enjoy first person, and I've read some very good first-person romances by talented and more successful writers than me, but I can't help thinking as I read these books, how much better they would have been with a dual POV.  They were fine, but imagine taking a taste of something and, while admitting it's pretty good, there's something missing. Something that will take it up a notch and round out the flavors into a delicious harmony. That's the point I'm trying to make.

In the end, it takes two to tango, so let him speak.

---